{"id":67683,"date":"2023-12-09T19:03:13","date_gmt":"2023-12-09T22:03:13","guid":{"rendered":"https:\/\/tvmasmagazine.com\/?p=67683"},"modified":"2023-12-10T10:11:07","modified_gmt":"2023-12-10T13:11:07","slug":"colombia-en-el-festival-de-cine-de-la-habana","status":"publish","type":"post","link":"https:\/\/tvmasmagazine.com\/en\/2023\/12\/09\/colombia-en-el-festival-de-cine-de-la-habana\/","title":{"rendered":"COLOMBIAN CINEMA AT THE HAVANA FILM FESTIVAL"},"content":{"rendered":"<p><strong><span style=\"color: #ff0000;\">FESTIVALS | FILMS | SCRIPWRITERS<\/span><\/strong><\/p>\n<p><span style=\"color: #000080;\"><strong>Fourteen Colombian productions participate in the 44th edition of the International Festival of New Latin American Cinema in Havana. The event that began on December 8 and ends on December 17 also has the participation of ten scripts and three posters that enrich the national participation.<\/strong><\/span><\/p>\n<div id=\"attachment_67684\" style=\"width: 662px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-67684\" class=\"size-full wp-image-67684\" src=\"https:\/\/tvmasmagazine.com\/wp-content\/uploads\/2023\/12\/CATALINA-REY-Foto-Vicente-Gonzalez.jpeg\" alt=\"\" width=\"652\" height=\"366\" srcset=\"https:\/\/tvmasmagazine.com\/wp-content\/uploads\/2023\/12\/CATALINA-REY-Foto-Vicente-Gonzalez.jpeg 652w, https:\/\/tvmasmagazine.com\/wp-content\/uploads\/2023\/12\/CATALINA-REY-Foto-Vicente-Gonzalez-350x196.jpeg 350w, https:\/\/tvmasmagazine.com\/wp-content\/uploads\/2023\/12\/CATALINA-REY-Foto-Vicente-Gonzalez-150x84.jpeg 150w\" sizes=\"auto, (max-width: 652px) 100vw, 652px\" \/><p id=\"caption-attachment-67684\" class=\"wp-caption-text\">Catalina Rey protagonist of the short drama &#8216;Bogota Story&#8217;<\/p><\/div>\n<p>Conceived as a continuation of the festivals of <strong>Vi\u00f1a del Mar<\/strong> (1967 and 1969), <strong>M\u00e9rida<\/strong> (1968 and 1977) and <strong>Caracas <\/strong>(1974), which brought together films and filmmakers representative of the most innovative cinematographic trends in Latin America, <strong>The International Festival of New Latin American Cinema<\/strong>, whose first edition was held on December 3, 1979, is an urgent response to the demand for a space that would guarantee a systematic meeting between the continent&#8217;s cinematographies and their creators, reports the PantallaColombia portal of ProimagenesColombia.<\/p>\n<p>In 2023 it reaches its 44th edition with the aim of recognizing and disseminating cinematographic works that contribute, based on their significance and artistic values, to the enrichment and reaffirmation of Latin American and Caribbean cultural identity, presenting nearly a hundred each year. of titles.<\/p>\n<p><a href=\"https:\/\/global.natpe.com\/2024\/register\/?utm_source=contra&amp;utm_campaign=TVMAS\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-67318 size-full\" src=\"https:\/\/tvmasmagazine.com\/wp-content\/uploads\/2023\/09\/TVMAS.345x100-SPANISH.gif\" alt=\"\" width=\"345\" height=\"100\" \/><\/a><\/p>\n<p><span style=\"color: #ff0000;\">In the Post-Production Coral Award<\/span> category, the co-production between the Dominican Republic and Colombia participates, &#8216;Aunque sea ver el mar\u2019 by Pablo Lozano, a film produced by Juan Antonio Bison\u00f3 in association with the <strong>Technological Institute of Santo Domingo<\/strong>; and &#8216;\u2018El silencio de los palafitos\u2019 by Yull Nu\u00f1\u00e9z Yepes, produced by Cinequipos Producciones.<\/p>\n<p>The films &#8216;Bogot\u00e1 story&#8217; directed by Esteban Pedraza and produced by <strong>La Producadora Cine<\/strong> participate in the Latin American contest; \u2018\u2018El otro hijo\u2019 directed by Juan Sebasti\u00e1n Quebrada and \u2018La Perra\u2019 by Carla Melo, both produced by <strong>Evidencia Films<\/strong>, \u2018La Maquina\u2019 directed by Juan Diego Aguirre and produced by <strong>Corporaci\u00f3n Frontera Films<\/strong>; \u2018Los \u00f3rganos internos de la madre tierra\u2019 by Ana Bravo P\u00e9rez, produced by <strong>Urkunina Films<\/strong>; \u2018Transfariana\u2019 by Joris Lachaise, produced by the <strong>Romeo company<\/strong> and \u2018Una porci\u00f3n por envase\u2019 by Miguel Ot\u00e1lora, produced by <strong>Ad Infinitum.<\/strong><\/p>\n<p><a href=\"https:\/\/contentamericas.net\/es\/register-for-content-americas-2024\/\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-67246 size-full\" src=\"https:\/\/tvmasmagazine.com\/wp-content\/uploads\/2023\/09\/Screenshot_3.png\" alt=\"\" width=\"1456\" height=\"180\" srcset=\"https:\/\/tvmasmagazine.com\/wp-content\/uploads\/2023\/09\/Screenshot_3.png 1456w, https:\/\/tvmasmagazine.com\/wp-content\/uploads\/2023\/09\/Screenshot_3-350x43.png 350w, https:\/\/tvmasmagazine.com\/wp-content\/uploads\/2023\/09\/Screenshot_3-1024x127.png 1024w, https:\/\/tvmasmagazine.com\/wp-content\/uploads\/2023\/09\/Screenshot_3-150x19.png 150w, https:\/\/tvmasmagazine.com\/wp-content\/uploads\/2023\/09\/Screenshot_3-768x95.png 768w\" sizes=\"auto, (max-width: 1456px) 100vw, 1456px\" \/><\/a><\/p>\n<p><span style=\"color: #ff0000;\">In the Latin American section in Perspective<\/span>, &#8216;La suprema&#8217; by Felipe H. Caro, produced by <strong>Cumbia Films<\/strong>, participates; &#8216;Madre nuestra&#8217; by David Paredes; \u2018Mudos testigos\u2019 by Jer\u00f3nimo Atehort\u00faa and Luis Ospina, produced by <strong>Invasi\u00f3n Cine<\/strong>; \u2018Tu me hiciste ver el cielo\u2019 by Luis Esguerra Cifuentes, produced by <strong>Bruma Cine<\/strong> and \u2018Tumbadore\u2019s by Mar\u00eda Isabel Burnes, a production by <strong>Too Much Productions<\/strong> with <strong>Inercia Peliculas<\/strong>.<\/p>\n<p><span style=\"color: #ff0000;\">Participating in the script competition are<\/span> &#8216;Ca\u00f1o 39&#8217; by Carlos Hern\u00e1n Franco Valencia, &#8216;The Galactic Poet&#8217; by Nicol\u00e1s Ord\u00f3\u00f1ez Carrillo, &#8216;The Journey of Memory&#8217; by Juan Pablo Ortiz Rodr\u00edguez, &#8216;Faith&#8217; by Samuel Chalela Puccini, &#8216;Invisible&#8217; &#8216; by Andr\u00e9s Casta\u00f1eda Romero and \u00d3scar Eduardo Ad\u00e1n D\u00edaz, &#8216;La guarrior&#8217; by Juliana Ram\u00edrez Plazas, &#8216;Matuna&#8217; by Daniela Narv\u00e1ez Huertas, &#8216;Un velorio del carajo&#8217; by Di\u00f3genes Guerra Miranda, &#8216;Un Viejo sin documentos&#8217; by Edgar De Luque and &#8216;Raices del sol&#8217; by Cynthia Alvarado, Jennifer Zapateiro and Claudio D&#8217;Elia.<\/p>\n<p><span style=\"color: #ff0000;\">In the Poster competition<\/span>, &#8216;D\u00eda de visita&#8217; and &#8216;El canto del auricantur&#8217;i by Jonathan R\u00edos Valencia (Nattan) and &#8216;Todas las flores&#8217; by Jonathan C\u00e1rdenas (Jacs) participate.<\/p>\n<p><a href=\"http:\/\/centauro.com\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-66800 size-full\" src=\"https:\/\/tvmasmagazine.com\/wp-content\/uploads\/2023\/05\/unnamed-3.gif\" alt=\"\" width=\"468\" height=\"120\" \/><\/a><\/p>\n<p>Redacci\u00f3n TVMAS<\/p>","protected":false},"excerpt":{"rendered":"<p>FESTIVALS | FILMS | SCRIPWRITERS Fourteen Colombian productions participate in the 44th edition of the International Festival of New Latin <a class=\"more-link\" href=\"https:\/\/tvmasmagazine.com\/en\/2023\/12\/09\/colombia-en-el-festival-de-cine-de-la-habana\/\">&#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":67684,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15,244],"tags":[],"class_list":["post-67683","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cine","category-eventos"],"_links":{"self":[{"href":"https:\/\/tvmasmagazine.com\/en\/wp-json\/wp\/v2\/posts\/67683","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tvmasmagazine.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tvmasmagazine.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tvmasmagazine.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tvmasmagazine.com\/en\/wp-json\/wp\/v2\/comments?post=67683"}],"version-history":[{"count":5,"href":"https:\/\/tvmasmagazine.com\/en\/wp-json\/wp\/v2\/posts\/67683\/revisions"}],"predecessor-version":[{"id":67712,"href":"https:\/\/tvmasmagazine.com\/en\/wp-json\/wp\/v2\/posts\/67683\/revisions\/67712"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tvmasmagazine.com\/en\/wp-json\/wp\/v2\/media\/67684"}],"wp:attachment":[{"href":"https:\/\/tvmasmagazine.com\/en\/wp-json\/wp\/v2\/media?parent=67683"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tvmasmagazine.com\/en\/wp-json\/wp\/v2\/categories?post=67683"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tvmasmagazine.com\/en\/wp-json\/wp\/v2\/tags?post=67683"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}